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LATEST ARTICLES
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Aphex Big Bottom Bass
Getting a big sounding and resonating bass can be a tricky thing. Even using every trick in the book with software nothing compares to some good old hardware. In this article I wanted to feture a secret peice of hardware that I have been using to add a hell of a low end punch. It is the Aphex 204 aural exciter with big bottom. For a bare minimum set up having an analog compressor, good sound card, and the Aphex you can get some banging bass. So on to the Aphex: Here is some basic info I found from the Aphex website: Aural Exciter For more than 35 years, the Aural Exciter’s patented technology has been the audio professional’s secret weapon, a powerful way to improve and enhance sonic quality more naturally than with equalization. For individual sounds or entire mixes, the Aural Exciter brings out detail, clarity and imaging that elevates your sound without adding level. For vocals and spoken dialog, it can dramatically increase intelligibility. For individual instruments, it adds punch and presence. And on mixes, it adds power, presence and sparkle. The Aural
Smartphone Wireless Midi Controller
Turning your android smartphone into a midi controller is easy and an awesome way to add more knobs and buttons to your live setup. Also having this as wireless means you can do some cool stuff for dialing your sound and such. This article is going to lay out all the things you will need to install and run this app. These are the instructions on how I did this on my Droid phone and PC laptop. The FingerPlay App FingerPlay MIDI is a MIDI controller for Android. Any changes made to the controllers on your phone are transmitted over the WIFI network to a receiving computer using either OSC messages or its own FingerPlay format. The MIDI messages can then be sent to any music software capable of receiving MIDI input.
Mastering Chain (the secret sauce)
I am about to share with you some of my mastering secrets. This is the Mastering Chain I prefer to use and think it adds a nice amazing final mix. I sadly don’t own most of these programs and have a few friends in the mastering business that let me use their rig for the final cut, but these programs are completely worth the investment. Here are the basics. The Mix Down To start before you do the mastering though make sure that it is all set for the mixdown. Here is a quick list to go down. Are your different instruments eq’ed to not clash (High pass on melodies and such) Cut off your low end around 30hz Levels are good and all elements are at a good volume The final master channel is around -3db for “headroom” If your volume is all set then do your final stereo bounce. Bounce down in whatever bit rate the samples and program runs at. either 32 or 24bit. The Chain Start a new instance and loud your stereo bounce. From here we are going to set up the effect chain for
oscillation remix files
Here are the remix files in a ZIP folder. These files are being shared under the creative commons license. Meaning you can use these sounds for whatever as long as you share alike! Oscillation by Subaqueous is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.Based on a work at subaqueousmusic.com. {loadposition oscillation remix} This is a big file, but in the mean time you can hear the original. Looking forward...
Puddle Step Remix Files
Here are the remix files in a ZIP folder. These files are being shared under the creative commons license. Meaning you can use these sounds for whatever as long as you share alike! Puddle Step by Subaqueous is licensed under a Creative Commons Attribution-ShareAlike 3.0 Unported License.Based on a work at subaqueousmusic.com. {loadposition puddle remix} This is a big file, but in the mean time you can hear the original. Looking forward... Puddle Step by Subaqueous
Layering Drums – Getting a Phatter Sound
I got a lot of responses from my article on drum processing. A lot of people here asking about Layering drums, so I have written this article on with more details. To add a big sound to your drums or a larger than life sound a great technique to know is layering. By adding 2 or more layers to create your kick you can add more thump and so on.
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OFFICE LINE
1.800.555.6789
EMERGENCY
1.800.555.0000
WORKING HOURS